Heute wurde in Hollywood endlich das Geheimnis gelüftet, welche Filme sich am 9. Februar Hoffnungen auf einen Oscar machen dürfen.
Die Bekanntgabe der Nominierungen für alle 24 Oscar®-Kategorien erfolgte heute, Montag, den 13. Januar, in einer zweiteiligen Live-Präsentation. Beginn war um 14:18 Uhr MEZ.
Schauspieler und Produzent John Cho und Schauspielerin/ Autorin & Produzentin Issa Rae moderierten die zweiteilige Live-Präsentation via globalem Live-Stream auf Oscar.com, Oscars.org, den digitalen Plattformen der Academy (Twitter, YouTube, Facebook), einem Satelliten-Feed sowie auf diversen lokalen Sendern.
Hier gab es den Live-Stream zur Ankündigung der Oscar-Nominierungen und anschließend die vollständige Liste der Oscar-Nominierten für 2020.
Hier alle diesjährigen Nominierten in den 24 Kategorien im Überblick:
Bester Film (Best Motion Picture)
- “Ford v Ferrari”
- “The Irishman”
- “Jojo Rabbit”
- “Joker”
- “Little Women”
- “Marriage Story”
- “1917”
- “Once Upon a Time in Hollywood”
- “Parasite”
Bester Hauptdarsteller (Best Performance by an Actor in a Leading Role)
- Antonio Banderas “Pain and Glory”
- Leonardo DiCaprio “Once Upon a Time in Hollywood”
- Adam Driver “Marriage Story”
- Joaquin Phoenix “Joker”
- Jonathan Pryce “The Two Popes”
Beste Hauptdarstellerin (Best Performance by an Actress in a Leading Role)
- Cynthia Erivo “Harriet”
- Scarlett Johansson “Marriage Story”
- Saoirse Ronan “Little Women”
- Charlize Theron “Bombshell”
- Renee Zellweger “Judy”
Bester Nebendarsteller (Best Performance by an Actor in a Supporting Role)
- Tom Hanks, “A Beautiful Day in the Neighborhood”
- Anthony Hopkins, “The Two Popes”
- Al Pacino, “The Irishman”
- Joe Pesci, “The Irishman”
- Brad Pitt, “Once Upon a Time in Hollywood”
Beste Nebendarstellerin (Best Performance by an Actress in a Supporting Role)
- Kathy Bates, “Richard Jewell”
- Laura Dern, “Marriage Story”
- Scarlett Johannson, “Jojo Rabbit”
- Florence Pugh, “Little Women”
- Margot Robbie, “Bombshell”
Beste Regie (Best Achievement in Directing)
- Martin Scorsese, “The Irishman”
- Todd Phillips, “Joker”
- Sam Mendes, “1917”
- Quentin Tarantino, “Once Upon a Time in Hollywood”
- Bong Joon Ho, “Parasite”
Bestes Originaldrehbuch (Original Screenplay)
- “Knives Out,” Rian Johnson
- “Marriage Story,” Noah Baumbach
- “1917,” Sam Mendes and Krysty Wilson-Cairns
- “Once Upon a Time in Hollywood,” Quentin Tarantino
- “Parasite,” Bong Joon-ho, Jin Won Han
Bestes adaptiertes Drehbuch (Adapted Screenplay)
- “The Irishman,” Steven Zaillian
- “Jojo Rabbit,” Taika Waititi
- “Joker,” Todd Phillips, Scott Silver
- “Just Mercy” Destin Daniel Cretton and Andrew Lanham
- “Little Women,” Greta Gerwig
- “The Two Popes,” Anthony McCarten
Bester animierter Spielfilm (Best Animated Feature Film)
- “How to Train Your Dragon: The Hidden World” Dean DeBlois
- “I Lost My Body” Jeremy Clapin
- “Klaus” Sergio Pablos
- “Missing Link” Chris Butler
- “Toy Story 4” Josh Cooley
Bester fremdsprachiger Film (Best Foreign Language Film)
- “Corpus Christi,” Jan Komasa
- “Honeyland,” Tamara Kotevska, Ljubo Stefanov
- “Les Miserables,” Ladj Ly
- “Pain and Glory,” Pedro Almodovar
- “Parasite,” Bong Joon Ho
Bester Song (Best Original Song)
- “I Can’t Let You Throw Yourself Away”
- “I’m Gonna Love Me Again,” “Rocketman”
- “I’m Standing With You,” “Breakthrough”
- “Into the Unknown,” “Frozen 2”
- “Stand Up,” “Harriet”
Beste Filmusik (Best Original Score)
- “Joker,” Hildur Guðnadóttir
- “Little Women,” Alexandre Desplat
- “Marriage Story,”Randy Newman
- “1917,” Thomas Newman
- “Star Wars: The Rise of Skywalker,” John Williams*“The King,” Nicholas Britell
Bester Ton (Best Achievement in Sound Mixing)
- “Ad Astra”
- “Ford v Ferrari”
- “Joker”
- “1917”
- “Once Upon a Time in Hollywood”
Bester Tonschnitt (Best Achievement in Sound Editing)
- “Ford v Ferrari,” Don Sylvester
- “Joker,” Alan Robert Murray
- “1917,” Oliver Tarney, Rachel Tate
- “Once Upon a Time in Hollywood,” Wylie Stateman
- “Star Wars: The Rise of SkyWalker,” Matthew Wood, David Acord
Beste Dokumentation (Best Documentary)
- “American Factory,” Julia Rieichert, Steven Bognar
- “The Cave,” Feras Fayyad
- “The Edge of Democracy,” Petra Costa
- “For Sama,” Waad Al-Kateab, Edward Watts
- “Honeyland,” Tamara Kotevska, Ljubo Stefanov
Beste Kamera (Best Achievement in Cinematography)
- “The Irishman,” Rodrigo Prieto
- “Joker,” Lawrence Sher
- “The Lighthouse,” Jarin Blaschke
- “1917,” Roger Deakins
- “Once Upon a Time in Hollywood,” Robert Richardson
Bester Schnitt (Best Achievement in Editing)
- “Ford v Ferrari,” Michael McCusker, Andrew Buckland
- “The Irishman,” Thelma Schoonmaker
- “Jojo Rabbit,” Tom Eagles
- “Joker,” Jeff Groth
- “Parasite,” Jinmo Yang
Bestes Szenenbild (Best Achievement in Production Design)
- “The Irishman,” Bob Shaw and Regina Graves
- “Jojo Rabbit,” Ra Vincent and Nora Sopkova
- “1917,” Dennis Gassner and Lee Sandales
- “Once Upon a Time in Hollywood,” Barbara Ling and Nancy Haigh
- “Parasite,” Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee
Kostümdesign (Best Achievment in Costume Design)
- ”The Irishman,” Sandy Powell, Christopher Peterson
- “Jojo Rabbit,” Mayes C. Rubeo
- “Joker,” Mark Bridges
- “Little Women,” Jacqueline Durran
- “Once Upon a Time in Hollywood,” Arianne Phillips
Bestes Makeup und Hairstyling (Best Achievement in Makeup and Hairstyling)
- “Bombshell”
- “Joker”
- “Judy”
- “Maleficent: Mistress of Evil”
- “1917”
Beste visuelle Effekte (Best Achievement in Visual Effects)
- “Avengers Endgame”
- “The Irishman”
- “1917”
- “The Lion King”
- “Star Wars: The Rise of Skywalker”
Beste Kurzdokumentation (Best Documentary, Short Subjects)
- “In the Absence”
- “Learning to Skateboard in a Warzone,” Carol Dysinger
- “Life Overtakes Me,” Kristine Samuelson, John Haptas
- “St. Louis Superman”
- “Walk Run Cha-Cha,” Laura Nix
Bester animierter Kurzfilm (Best Short Film, Animated)
- “Dcera,” Daria Kashcheeva
- “Hair Love,” Matthew A. Cherry
- “Kitbull,” Rosana Sullivan
- “Memorable,” Bruno Collet
- “Sister,” Siqi Song
Bester Kurzfilm (Best Short Film, Live Action)
- “Brotherhood,” Meryam Joobeur
- “Nefta Football Club,” Yves Piat
- “The Neighbors’ Window,” Marshall Curry
- “Saria,” Bryan Buckley
- “A Sister,” Delphine Girard
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Woher stammt eigentlich der Name „Oscar“?
Ursprünglich hieß der Preis „Academy Award of Merit“, seit 1931 nannte man den Goldjungen dann immer häufiger „Oscar“. Angeblich ist er nach dem Onkel der Academy-Bibliothekarin Margaret Herrick (†73) benannt worden, die beim Anblick der Statuette gesagt haben soll: „Hey, der sieht ja aus wie mein Onkel Oscar!“ 1939 wurde aus dem Spitznamen dann die offizielle Bezeichnung des Goldmännchens.
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